Connect the Dots

Three Davids swimming under a bridge. Two Davids diving gracelessly from a buoy. One David’s thigh with a birthmark the color of a raspberry just beneath his clinging boxer shorts. Death metal blasting from a Mazda braked above the rocks. Earlier: three hits of LSD each. Earlier still: two Davids peeling cherry-colored panties from one stoned girl. Death metal blasting from the stereo of an unfinished basement, one mother puttering over kitchen linoleum above. Even earlier still: sleeping and sleeping through the night beneath screened windows—one stoned girl, three Davids. One mother adrift in a vision of fireflies twinkling in the black heat. Now the double concussion of two Davids diving. Now one David freaking off the lyrics of Cannibal Corpse. The Mazda a giant beetle. Bugs munching his insides. One David dunking another David. Repeated in reverse. Then one David on the rocks in a wrestling mask stripped of his boxer shorts. Two Davids drifting in the current, the shore seeming to recede. A glare off the Mazda’s windshield visible from the bridge above. Later: three Davids breaking streetlights with a scattershot of rocks. One stoned girl bored, her glossed lips glum. Later still: the hush of one hairbrush through one mother’s brittle hair. Then last: the summer heat broken by a thunderstorm, the river high in the wake of three Davids.

Brennen Wysong’s fiction and poetry have appeared in Black Warrior Review, Indiana Review, Denver Quarterly, Quarter After Eight, Fourteen Hills, and other journals. He’s received grants from the National Endowment for the Arts and the Constance Saltonstall Foundation for the Arts. He lives in the Theater District of New York with his wife Debra and son, Calder Birch.